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Past Traveling Exhibitions

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Family Legacies: The Art of Betye, Alison and Lezley Saar

Family Legacies is the first exhibition of the Saars’ work to examine the relationship of these three important artists to each other within the context of the family’s distinct contributions to art history. It will explore the transmission of traditions, materials and subject matter within this exceptional family of artists, as well as provide the public with an historical understanding of how different generations of women use art to express changing ideas about gender, race and ethnicity.


Lezley Saar, Anastacia—Escrava e Martir Negra, 1998, mixed media collage, private collection


More information about this exhibit Dark Jewels:
Chinese Black and Brown Ceramics from the Shatzman Collection

Herbert and Eunice Shatzman of North Carolina have collected Chinese ceramics for over twenty years. The exhibition, Dark Jewels: Chinese Black and Brown Ceramics from the Shatzman Collection, features 70 examples from a 408-year period (960 to 1368) when such wares reached their peak in variety, quality and popularity.



More information about this exhibit Apocalypse Then:
Images of Destruction, Prophecy and Judgment from Dürer to the Twentieth Century

This exhibition, drawn from the collection of the Ackland Art Museum and the University’s Rare Book Collection, presents selected works of art inspired by apocalyptic writing or thought. Beginning with Dürer’s famous series of woodcuts interpreting The Revelation of Saint John, the exhibition includes images from the following 500 years. Itinerary:
Krannert Art Museum, Champaign, IL January 18 - April 3, 2005
Lowe Art Museum, Coral Gables, FL September 17 - November 13, 2005
Exhibition retires November 2005


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Masters of the Medium:

  • Hood Museum of Art, Dartmouth College, Hanover, NH
    March 30 - May 23, 2004
  • Boca Raton Museum of Art, Boca Raton, FL
    November 17, 2004 - January 16, 2005


Marten De Vos, Antwerp 1532 - 1603, Allegory of Sight, about 1580 - 1590, pen and brown ink with brown wash, 7 1/2 x 10 inches Ackland Fund, 79.62.1



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Transatlantic Dialogue:
Contemporary Art In and Out of Africa

  • Ackland Art Museum
    December 19, 1999 – March 26, 2000
  • National Museum of African Art, Smithsonian Institution
    May 21 – September 3, 2000
  • Tampa Museum of Art
    December 10, 2000 - January 28, 2001


MOYO OKEDIJI, Nigerian, born 1956. The Dutchman, 1995. Acrylic on canvas, Ackland Fund, 2001.8



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Fresh Woods and Pastures New:
Seventeenth-Century Dutch Landscape Drawings from the Peck Collection

  • Ackland Art Museum
    October 3, 1999 – January 2, 2000
  • Herbert F. Johnson Museum of Art at Cornell University
    January 29 – March 26, 2000
  • Worcester Art Museum
    December 16, 2000 – February 2, 2000


Rembrandt van Rijn, Leiden 1606-1669 Amsterdam, Canal and boats with a distant view of Amsterdam. Reed pen and brush in dark brown (iron-gall) ink; dark brown ink framing lines, From the collection of Leena and Sheldon Peck





Seeking the Spiritual:
The Paintings of Marsden Hartley

  • Ackland Art Museum
    January 25 – March 29, 1998
  • Babcock Galleries, NY
    April 20 – June 20,1999


Marsden Hartley, Morgenrot, 1932. Oil on canvas, Private Collection, Courtesy Babcock Galleries, New York


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Screens and Scrolls:
Japanese Art from the Collection of the Ackland Art Museum

  • Ackland Art Museum
    February 16 – April 13, 1999
  • Hood Museum of Art, Dartmouth College
    April 8 – June 18,2000


Fujiwara Nobuyoshi, Late Edo Period, 1716-1868 C.E. Figures Viewing Cherry Blossoms (detail), ca. 1800-1840 C.E., Handscroll; color on paper, Ackland Fund, 84.39.1





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