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Works selected by Pam Whedon |
The
Back View of the Human Figure: Humanity Revealed In
real life, an individual often displays his genuine identity when he turns
his back to the viewer. Without the aid of a social mask, his true
character is exposed. The artist
who draws the back view of a figure must capture this candor without the
use of facial expression, or the public side of the individual. In
drawing from life, the artist strives to convince the spectator that the
material facts of posture and physique are expressive subjects worthy
of perceptive visual interpretation.
He/she must communicate a wide spectrum of states and emotions
through this back view. In depicting a figure in this way, the artist
must impart truth without the aid of features and glance. This
truth, which the artist seeks to portray in the figure, is his humanity,
which arises from a contrast between man and what is less than man and,
between man and what is more. This bi-lateral concept stems from a conviction
toward the dignity of man, based on his rationality and freedom combined
with the acceptance of his own human limitations.
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