Pere Conti of the French Mission, ca. 1722
Walking Man
Reclining Man, mid-1720s
Death of Virginie

January 20-April 21

 
Introduction to Reason and Fantasy Exhibit
Selected works
Spring 2001 Graduate Coursework
Listings by Theme
Exhibit Checklist
Return to Ackland Home

Works selected by Pam Whedon

Père Conti of
the French Mission, ca. 1722


Walking Man

Reclining Man, mid-1720s

The Death of Virginie
from Paul and Virginie

The Back View of the Human Figure: Humanity Revealed 

In real life, an individual often displays his genuine identity when he turns his back to the viewer.  Without the aid of a social mask, his true character is exposed.  The artist who draws the back view of a figure must capture this candor without the use of facial expression, or the public side of the individual.  

In drawing from life, the artist strives to convince the spectator that the material facts of posture and physique are expressive subjects worthy of perceptive visual interpretation.  He/she must communicate a wide spectrum of states and emotions through this back view.  In depicting a figure in this way, the artist must impart truth without the aid of features and glance.  

This truth, which the artist seeks to portray in the figure, is his humanity, which arises from a contrast between man and what is less than man and, between man and what is more.  This bi-lateral concept stems from a conviction toward the dignity of man, based on his rationality and freedom combined with the acceptance of his own human limitations.

 

IntroductionFeatured WorksGraduate StudyThemesChecklistAckland Home