Minerva, 1796
The Fall of Robespierre and St. Just, probably 1790s
The Oath of the Tennis-Court, Versailles, 19 June 1789;  1792
The Triumph of the French Republic Under the Auspices of Liberty, ca. 1793-1794
Voltaire
Order and Upheaval: From the Rational to the Fictional in French Revolutionary Images

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The Fall of Robespierre and St. Just

The Fall of Robespierre and St. Just
(Equality Triumphant
or the Triumvirate Punished),
probably 1790s

Minerva, 1796

The Oath of the Tennis-Court,
Versailles, 19 June 1789
, 1792

The Triumph of the French Republic
under the Auspices of Liberty
, ca 1793-1794

Voltaire, dated 1778,
probably between 1779 and 1793

 

 

ANONYMOUS, French
The Fall of Robespierre and St. Just
(Equality Triumphant or the Triumvirate Punished)

watercolor and graphite underdrawing, probably 1790s
Lent by the Hoyt Collection,
UNC-CH's Rare Book Collection

Equality perches precariously atop a mason’s level, wielding a sword inscribed with “Equality or Death” in her right hand while her left holds up a balance.  On the crossbar of the monumental level reads, “Proud ones, humble yourselves.”  Crushed beneath the level in the foreground are six bodies in contemporary dress.  The text below identifies three of the figures: “the Tyrant Robespierre, the Hypocrite Couthon, and the Insolent St. Just.” These men were major actors during the French Revolution, advocating the execution of Louis XVI and countless others deemed enemies of the Republic.  The tables turned on the Terror when Robespierre and his colleagues were themselves arrested and guillotined. 

Yet the iconography and intent of French Revolutionary images remained essentially the same, as can be seen in the watercolor above.  Both examples were used to uphold the moralistic image of the new Republic and its leaders above the gruesome reality of revolution.  

Lindsay Twa

 

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