Minerva, 1796
The Fall of Robespierre and St. Just, probably 1790s
The Oath of the Tennis-Court, Versailles, 19 June 1789;  1792

January 20-April 21

 
Introduction to Reason and Fantasy Exhibit
Selected works
Spring 2001 Graduate Coursework
Listings by Theme
Exhibit Checklist
Return to Ackland Home

Works selected by Lindsay Twa

Minerva, 1796

The Fall of Robespierre and St. Just
(Equality Triumphant
or the Triumvirate Punished)
, probably 1790s

The Oath of the Tennis-Court,
Versailles, 19 June 1789
, 1792

The Triumph of the French Republic
under the Auspices of Liberty
, ca 1793-1794

Voltaire, dated 1778,
probably between 1779 and 1793

 

For more on the French Revolution,
visit the following:

www.woodberry.org/acad/hist/FRWEB/index.htm

www.geocities.com/thefrenchrevolution


www.geocities.com/frenchmonarch/louisxvi/index.html

 

 

Order and Upheaval:  From the Rational to the
Fictional in French Revolutionary Images

Although the French Revolution threatens to dominate all reflections of the eighteenth century, surely no exhibition of this era would be complete without some mention of this earth-shattering period.  It is possible to speak of the French Revolution as fantasy, for certainly the world up to 1789 had never experienced such a fantastic and cataclysmic series of events.   

The pieces culled from the Ackland and Wilson Library’s Rare Books Collection speak to the turmoil of the times, but through an imposed order of classical and allegorical symbols.  These in turn reveal the breakdown of the rational as their imaginary semi-historical depictions impose their own fantastical reality on the events of the era.  

A storm cloud of allegorical figures tumbles into The Oath of the Tennis-Court, while a tour-de-force of allegorical symbols threatens to overwhelm the viewer in The Triumph of the French Republic Under the Auspices of Liberty. By invoking classical imagery, allegory imbues the present with the authority of the past, making unstable current events appear already established.   Such detached and cerebral pictures were needed to uphold the moralistic image of the new Republic and its leaders above the gruesome reality of the Revolution.

 

 

 

 

IntroductionFeatured WorksGraduate StudyThemesChecklistAckland Home