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The
Ambivalence of Colonial Representation: Images
of the Black in Eighteenth-Century Europe
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WILLIAM
BLAKE British, 1757 - 1827 A
Negro hung alive by the Ribs to a Gallows in
J. G. Stedman’s Narrative of a Five Years Expedition against the
Revolted Negroes of Surinam, engraving Lent by UNC-CH's Rare Book Collection Stedman’s Narrative is a rare first-hand observation of eighteenth-century plantation slave life with eighty illustrations. Stedman arrived in South America in 1773 as captain of a troop sent by the Dutch government for a military campaign against rebel slaves. Using a diary kept during his five-year stay in Surinam, he completed the first manuscript of the Narrative in 1790. Though Stedman himself was not an abolitionist, the tortured slave imagery in the Narrative provoked a large public response and became an important source material for the abolitionists. Here William Blake uses several pictorial devices to endow the black figure with a certain monumentality. He minimizes the pictorial details. In particular, the background is evacuated, leaving only a few skulls, thus giving the black figure an almost iconic quality. It is easy to associate this image of torture with Christian iconography of martyrdom.
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