![]() |
|
||||||||||
|
The
Ambivalence of Colonial Representation: Images
of the Black in Eighteenth-Century Europe
|
|||||||||||
|
Virginie intercedes for a runaway slave |
CHARLES-MELCHIOR
DESCOURTIS, Bernardin
de Saint Pierre’s novel Paul and Virginie was first published in
1788 and became an instant best seller.
The story generated numerous visual illustrations produced independently
of the text. Charles-Melchoir
Descourtis’ print series after Jean Frederic Schall is one such example. The story
centers around two children (Paul and Virginie) growing up in the secluded
island of Mauritius (then known as the Île de France). Living far away from France where civilization
has brought many social evils, the two children embody an ideal notion
of society based on love and innocence.
Though the
real Île de France was a French colony overshadowed by formidable slavery,
such history is figured only suggestively in Paul and Virginie through
the image of an “escaped Negress.” Virginie provides the slave with food,
and takes her back to her master, asking for his pardon.
Yet, the contrasting presence of the threatening master and the
prostrated slave in the image suggests that Virginie’s good will is not
shared.
|
||||||||||