A Kick-Up at a Hazard Table, 1790
The Fashionable Mamma, 1796
The Overthrow of Dr. Slop, 1773
The Damnation of Obadiah, 1773
The Battle of the Cataplasm
The Siege of Namur, 1773
British Comic Art: The Lines are Never Straight

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The Siege of Namur, 1773

The Siege of Namur,
from Tristram Shandy Book 6.22, 1773

A Kick-Up at a Hazard Table, 1790

The Fashionable Mamma, or,
The Convenience of Modern Dress, 1796

The Overthrow of Dr. Slop,
from Tristram Shandy Book 2. 9, 1773

The Damnation of Obadiah,
from Tristram Shandy Book 3.11, 1773

The Battle of the Cataplasm,
from Tristram Shandy Book 6.3, 1773

 

JAMES BRETHERTON, British, active 1760-1790;
after HENRY WILLIAM BUNBURY, British, 1756-1811
The Siege of Namur,
from Tristram Shandy Book 6, Chapter 22
etching, hand-colored, 1773
Gift of Hugh D. Griffith of
Dr. Philip M. Griffith Estate, 99.6.8

“What an honest triumph in Uncle Toby’s eyes he marched to the ramparts with the Gazette in his hand and Trim with a Pickaxe ready to execute the contents.”

This is the final print of Bunbury’s Tristram Shandy series.  These works were not commissioned by the book’s author as illustrations for the novel.  Instead, they would have been sold by James Bretherton in his print shop apart from the novel.  Although based on the text, they were conceived independently of it.

This scene shows Captain Shandy and his trusty assistant Corporal Trim with their scale-model reconstruction of the siege of Namur.  The corporal is armed with a pickaxe to up-date the model fortifications, according to the latest newspaper account of the siege which the captain holds in his hand. Throughout this series, Sterne’s novel provides comic situations that are best represented by the comic style of drawing.

Chandra Mosley

 

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