A Kick-Up at a Hazard Table, 1790
The Fashionable Mamma, 1796
The Overthrow of Dr. Slop, 1773
The Damnation of Obadiah, 1773
The Battle of the Cataplasm, 1773
The Siege of Namur, 1773
British Comic Art: The Lines are Never Straight

January 20-April 21

 
Introduction to Reason and Fantasy Exhibit
Selected works
Spring 2001 Graduate Coursework
Listings by Theme
Exhibit Checklist
Return to Ackland Home

The Battle of the Cataplasm, 1773

The Battle of the Cataplasm,
from Tristram Shandy Book 6.3, 1773

A Kick-Up at a Hazard Table, 1790

The Fashionable Mamma, or,
The Convenience of Modern Dress, 1796

The Overthrow of Dr. Slop,
from Tristram Shandy Book 2. 9, 1773

The Damnation of Obadiah,
from Tristram Shandy Book 3.11, 1773

The Siege of Namur,
from Tristram Shandy Book 6.22, 1773

 

JAMES BRETHERTON, British, active 1760-1790;
after HENRY WILLIAM BUNBURY, British, 1756-1811
The Battle of the Cataplasm,
from Tristram Shandy Book 6, Chapter 3
etching, hand-colored, 1773
Gift of Hugh D. Griffith of
Dr. Philip M. Griffith Estate, 99.6.7

In delivering the baby Tristram, Dr. Slop crushes the child’s nose. Here Susannah, young Tristram’s nurse, argues with the diminutive doctor over preparing a poultice to heal the wound. Susannah accidentally
sets fire to Dr. Slop’s wig:

“ --you impudent whore! cried Slop,
getting upright, with the cataplasm in his hand;
--I never was the destruction of anybody’s nose,
said Susannah, --which is more than you can say:
--Is it? cried Slop, throwing the cataplasm in her face;
--Yes, it is, cried Susannah, returning the compliment
with what was left in the pan.”

Bunbury has combined two incidents from the novel in this print (the cataplasm was actually made for a later injury). But he was clearly aware of the text in his rendering of the characters.  Sterne invites the reader to “imagine yourself a little, squat, uncourtly figure of a Doctor Slop, of about four feet and a half perpendicular height, with the breadth of back, and a sesquipedality [foot and a half] of belly, which might have done honor to a Serjeant in the Horse Guards.” His language provides a perfect description for the comic artist to render.

Chandra Mosley

 

IntroductionFeatured WorksGraduate StudyThemesChecklistAckland Home