Boy Drawing
David Garrick, Esq.
Portrait of Hyacinthe Rigaud, 1701
Adrienne LeCouvrer, 1730
Artists and Actors, Masters of Illusion

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Adrienne Lecouvrer, ca. 1730

Adrienne LeCouvreur, ca. 1730

Boy Drawing

David Garrick Esq.

Portrait of Hyacinthe Rigaud, 1701

 

 

PIERRE DREVET, French, 1663-1738;
after CHARLES COYPEL, French, 1694-1752
Adrienne Lecouvreur
engraving, ca. 1730
Burton Emmett Collection, 58.1.111

This depiction of Adrienne Lecouvreur, a famous eighteenth-century actress, was engraved after one of several portraits of her by Charles Coypel. A painter for the king, Coypel was also a playwright and amateur actor and knew Lecouvreur personally. 

This engraving depicts Lecouvreur in the role of the tragic Cornelia in Pierre Corneille’s “The Death of Pompey” (1642). She is shown grieving the loss of her husband, her eyes filling with tears as she holds his ashes. Lecouvreur was best known for her natural style of acting, and she excelled in the kind of tragic roles depicted here. 

The engraver Drevet has added to the original portrait the oval frame that leans against the stone wall. The cracks in the frame and wall create a trompe l’oeil effect that alludes to the actors’ use of illusion. Yet the frame, bearing an inscription explaining that Lecouvreur had died in Paris at age 37, also functions to memorialize the actress who reached a tragic end only a year before this engraving was executed. Lecouvreur’s tearful upward glance, as she mourns her fictive husband, seems to portend her own death.

Cathy Keller-Brown

 

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