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PRINTS
British
James Bretherton after Henry William Bunbury, The Overthrow of Dr. Slop, Illustration to Tristam Shandy (book 2, chapter 9), 1773, hand-colored etching, Gift of Hugh D. Griffith of Dr. Philip M. Griffith Estate, 99.6.5
James Bretherton after Henry William Bunbury, The Damnation of Obadiah, Illustration to Tristam Shandy (book 3, chapter 11), 1773, hand-colored etching, Gift of Hugh D. Griffith of Dr. Philip M. Griffith Estate, 99.6.6
James Bretherton after Henry William Bunbury, The Battle of the Cataplasm, Illustration to Tristam Shandy (book 6, chapter 3), 1773, hand-colored etching, Gift of Hugh D. Griffith of Dr. Philip M. Griffith Estate, 99.6.7
James Bretherton after Henry William Bunbury, The Siege of Namur by Captain Shandy and Corporal Trim, Illustration to Tristam Shandy (book 6, chapter 22), 1773, hand-colored etching, Gift of Hugh D. Griffith of Dr. Philip M. Griffith Estate, 99.6.8
Thomas Frye, A Lady with a Pearl Necklace, 1762, mezzotint, Ackland Fund, selected by The Ackland Associates, 91.81
James Gillray, The Fashionable Mamma - or - The Convenience of Modern Dress, 1796, etching with engraving and hand-coloring, The William A. Whitaker Foundation Art Fund, 2001.9.2
Valentine Green after James Barry, Venus Rising from the Sea, 1772, mezzotint, The William A. Whitaker Foundation Art Fund, 80.62.1
William Hogarth, The Harlot’s Progress, 6 engravings, The William A. Whitaker Foundation Art Fund, 92.6.1-6
Charles Knight after Richard Westall, Fishing Party, 1799, etching, aquatint with roulette, Ackland Fund, 81.29.1
James MacArdell after Arthur Pond, David Garrick Esq., mezzotint, Burton Emmett Collection, 58.1.563
Thomas Rowlandson, A Kick-Up at a Hazard Table!, 1790, etching and aquatint, hand-colored, Ackland Fund, 81.37.2
Paul Sandby, Part of Warwick Castle from the S.E., 1776, aquatint printed in sanguine, The William A. Whitaker Foundation Art Fund, 80.46.1
William Sharp after Benjamin West, King Lear Act III, Scene iv, (Boydell Shakespeare Gallery), engraving, Anonymous Loan, L87.55.877
Benjamin Smith after George Romney, The Infant Shakespeare, (Boydell Shakespeare Gallery), engraving, Anonymous Loan, L87.55.884
François Vivares after Thomas Smith of Derby, A View of Hopping Mill Ware on the River Derwent, 1745, engraving, Gift of Anne Fishburne Duthie, 2001.20.1
French
Antoine Aveline after Jean Mondon the Younger, "Chinese" Decorative Design (Chinoiserie), 1736, hand-colored etching, Ackland Fund, 63.43.3
Antoine Aveline after Jean Mondon the Younger, "Chinese" Decorative Design (Chinoiserie), 1736, hand-colored etching, Ackland Fund, 63.43.6
Antoine Aveline after Jean Mondon the Younger, "Chinese" Decorative Design (Chinoiserie), 1736, hand-colored etching, Ackland Fund, 63.43.7
Antoine Aveline after Jean Mondon the Younger, Conversation Chinoise, 1736, hand-colored etching, Ackland Fund, 63.43.8
Jacques-Firmin Beauvarlet after Carle van Loo, La Confidence, engraving, Anonymous Gift in Honor of Innis H. Shoemaker, 86.4.1
Robert Bénard after Bourgeois, Sculpture: Workshop for Plaster Casting, Tools and Methods from Encyclopédie, engraving and etching, Anonymous Gift, 88.54
Robert Bénard after Bourgeois, Sculpture: Various Procedures for Working on Marble and Tools from Encyclopédie, engraving and etching, Anonymous Gift, 88.56
Pierre-Gabriel Bertaut, Boiserie with Floral Design and Hunting Trophy, etching, The William A. Whitaker Foundation Art Fund, 80.42.2
Jacques Bonnefoy after Louis-Léopold Boilly, Le Cadeau, etching, acquaint with roulette, Ackland Fund, 81.29.3
François Boucher after Watteau, Femme debout tenant une quenouille, etching, Ackland Fund, 60.18.1
Nicolas Delaunay after Sigmund Fredenberg, Daybreak (le petit jour) from the Monument du costume first series, 1774, engraving, The William A. Whitaker Foundation Art Fund, 2000.10.3
Gilles Demarteau after François Boucher, Boy Drawing, crayon manner, Ackland Fund, 81.29.2
Charles-Melchoir Descourtis after Jean-Frederic Schall, Virginie intercedes for a runaway slave from Paul et Virginie, color aquatint, The William A. Whitaker Foundation Art Fund, 2001.9.4
Charles-Melchoir Descourtis after Jean-Frederic Schall, Dominique finds Paul and Virginie lost in the forest from Paul et Virginie, color aquatint, The William A. Whitaker Foundation Art Fund, 2001.9.5
Charles-Melchoir Descourtis after Jean-Frederic Schall, The visit of the governor, M. de la Bourdonnias from Paul et Virginie, color aquatint, The William A. Whitaker Foundation Art Fund, 2001.9.6
Charles-Melchoir Descourtis after Jean-Frederic Schall, The Eve of Virginie's Departure for France from Paul et Virginie, color aquatint, The William A. Whitaker Foundation Art Fund, 2001.9.7
Charles-Melchoir Descourtis after Jean-Frederic Schall, The Death of Virginie from Paul et Virginie, color aquatint, The William A. Whitaker Foundation Art Fund, 2001.9.8
Charles-Melchoir Descourtis after Jean-Frederic Schall, Paul Praying at Virginie's Grave from Paul et Virginie, color aquatint, The William A. Whitaker Foundation Art Fund, 2001.9.9
Jean-Louis Desprez after Francesco Piranesi, Illumination of the Cross of St. Peter, etching, The William A. Whitaker Foundation Art Fund, 2001.11.12
Jean-Louis Desprez after Francesco Piranesi, Illumination of the Cross of St. Peter, etching with gouache and watercolor, The William A. Whitaker Foundation Art Fund, 2001.11.13
Pierre Drevet after Charles Coypel, Adrienne Lecouvreur, 1730, engraving, Burton Emmett Collection, 58.1.111
Pierre Drevet after Hyacinthe Rigaud, Portrait of Hyacinthe Rigaud, engraving, 1701, Burton Emmett Collection, 58.1.1041
Jean Honoré Fragonard, The Satyr's Family, etching, Ackland Fund, selected by the Ackland Associates, 91.77
Isidore-Stanislas Helman after Charles Monnet, The Oath of the Tennis-Court, Versailles, 19 June 1789, engraving, 1792, The William A. Whitaker Foundation Art Fund, 2000.10.5
Jean François Janinet after Jacque Charlier, The Sleep of Ariadne, color etching and engraving, Ackland Fund, 85.4.2
Jacque Phillipe Le Bas after Jean-Baptiste-Siméon Chardin, L'oeconome, etching and engraving, The William A. Whitaker Foundation Art Fund, 1754, 81.23.1
Jean Baptiste Le Prince, Le Repos, aquatint, 1771, Ackland Fund, 79.34.3
Le Rouge after Nicolas Lenoir, le Romain, View and Plan of Vauxhall of the Foire St. Germain, 1772, etching and engraving, 2000.10.2
Antoine Watteau Figures de Mode, 12 plates, etching and engraving, The William A. Whitaker Foundation Art Fund, 2001.11.8-10
Italian
Giovanni Antonio Canal (called Canaletto), A Village on the River Brenta, etching, Ackland Fund, 63.40.1
Giovanni Battista Piranesi, Grotteschi scenes: The Skeletons, etching and drypoint, Ackland Fund, 76.31.1
Giovanni Battista Piranesi, Grotteschi scenes: The Triumphal Arch, etching and drypoint, Ackland Fund, 76.31.2
Giovanni Battista Piranesi, Plate IV of "Prison's" (Carceri d'Invenzione), ca. 1745, etching, Jacocks Collection, 58.2.20
Giovanni Battista Piranesi, The Palazzo Barberini from Vedute di Roma, 1749, etching, Ackland Fund, 61.3.4
Giovanni Battista Piranesi, The Arch of Constantine, 1748, etching, Gift of Hugh D. Griffith of Philip M. Griffith Estate, 99.6.30
Giovanni Battista Piranesi, View of the Temple of the Sibyl in Tivoli from Vedute di Roma, 1761, etching, Gift of Charles Andrew Kistler and Mary K. Stahl, 60.16.11
Giovanni Battista Tiepolo, Death Giving Audience from Vari Capricci, 1743-9?, etching, Gift of the Ackland Associates, 84.15.1
Giovanni Battista Tiepolo, A Woman in Chains with Four Other Figures from the Capriccio series, ca. 1743?, etching, Jacocks Collection, 58.2.10
Giovanni Domenico Tiepolo, Christ Meets His Mother, Station IV from Via Crucis, 1748, etching, Ackland Fund, 64.13.7
Giovanni Domenico Tiepolo, Christ on the Cross, Station XII from Via Crucis, 1748, etching, Ackland Fund, 64.13.15
German
Johann Daniel Herz, Design for a Fountain, etching, The William A. Whitaker Foundation Art Fund, 80.42.4
Spanish
Francisco Goya, The Sleep of Reason Produces Monsters Plate 43 of Los Caprichos, 1799, etching with aquatint, Ackland Fund, 72.37.2
Francisco Goya, Soplones Plate 48 of Los Caprichos, 1799, etching with aquatint, Ackland Fund, 72.37.4
Francisco Goya, Hasta la Muerte, Plate 55 of Los Caprichos, 1799, etching with aquatint, Ackland Fund, 72.37.5
DRAWINGS
French
P.J. Challiou, Helen Saved from Aeneas by Venus, 1800, black and white chalk, Ackland Fund, 84.24.1
Nicolas Lancret, Reclining Man, mid-1720s, red chalk, Ackland Fund, 62.5.1
Unknown, The Fall of Robespierre and St. Just, watercolor and graphite under drawing, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill, L69.2.1
Unknown, The Triumph of the French Republic Under the Auspices of Liberty, ca. 1793-1794 pen and black ink, watercolor, gouache, graphite and gold ink, Ackland Fund, 68.12.1
Italian
Pier Leone Ghezzi, Père Conti of the French Mission, ca. 1722, pen and brown ink, The William A. Whitaker Foundation Art Fund, 80.23.1
Giovanni Battista Tiepolo, Walking Man, before 1762, pen and brown ink and brown wash over black chalk, Ackland Fund, 71.3.1
SCULPTURE
AND DECORATIVE ARTS
French
Jean-Antoine Houdon, Voltaire, 1778, painted plaster, Ackland Fund, 75.15.1
Jean Guillaume Moitte, Minerva, 1796, terra cotta, Ackland Fund, 81.50.1
German
Franz
Xavier Messerschmidt, The Artist
as He Portrayed himself Laughing, 1780s
bronze, Anonymous Loan, L2002.1.10
Flemish
Attributed to Jean-Baptiste van der Haeghen, The Virgin and Child, 1720s, painted terra cotta, Ackland Fund, 87.19
Chinese
Unknown, Punch Bowl, late 18th century, hard paste porcelain with decoration in underglaze blue, enamel, and gilding, Knapp Collection, 58.3.155
Unknown, Tureen, c. 1760, hard paste porcelain with enamel decoration and gilding, Knapp Collection, 58.3.146
Unknown, Coffee Pot, ca. 1790?, hard paste porcelain with enamel decoration and gilding, Knapp Collection, 58.3.224
RARE
BOOKS
British
William Blake, A Negro hung by the Ribs to a Gallows in J.G. Stedman's Narrative of a Five Year's Expedition against the Revolted Negroes of Surinam, Volume 1, 1806, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Edward Rooker after William Chambers, The Composite Order inTreatise on Civil Architecture, 1759, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
William Gilpin, Picturesque Landscape from Three Essays: on Picturesque Beauty; on Picturesque Travel and on Sketching Landscape, 1792, aquatint on pink paper, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
F. Sansom, Milk Thistle in William Curtis' Flora Londinensis, 1777, hand-colored engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
French
Robert Bernarnd after Lucotte, Perruquier Barbier in Recueil de Planches, sur les sciences, les arts liberaux et les arts méchaniques, avec leur explication, Volume 8, 1751 - 1772, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Jacques Aliamet after Charles Eisen, Frontispiece in Marc-Antoine Laugier's Essai sur l'architecture, 1755, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Noël Le Mire after Charles Eisen, Elle détacha un de ses serpens in Charles Montesquieu's Le Temple de Gnide, 1772, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Noël Le Mire after Charles Eisen, Le Bat in Jean de La Fontaine's Contes et nouvelles, 1762, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Clément-Pierre Marillier, Illustration for "La Mule et la Pantoufle de Mufti" in Claude-Joseph Dorat's Fables nouvelles, Volume 2, 1773, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Clément-Pierre Marillier after Charles Eisen, Woman Reading? in Claude-Joseph Dorat's Les Baisers, 1770, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Jean-Michel Moreau, Illustration for "La Nouvelle Heloise" in Jean Jacques' Rousseau's Oeuvre Complètes, 1774, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Bernard Picart, Le Cimetière de St. Médard and Differentes Agitations des Convulsionaires in Histoire Général des Cérémonies, Moeurs, et Coutumes Religieuses de Tous les Peuples du Monde, Volume 4, 1741, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Jean-Baptiste Blaise Simonet after Jean Michel Moreau?, L'Age d'or et l'Age in Les Metamorphoses d'Ovide, Volume 1, 1767, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Jean-Baptiste Blaise Simonet after Jean Michel Moreau, Nyctimene transforms into an Owl in Les Metamorphoses d'Ovide, Volume 3, 1767, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Jean-Baptiste Tilliard after Jean Baptiste Le Prince, Supplice du Grand Knout in Chappe d'Auteroche's Voyage en Sibérie, 1768, engraving?, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Artist Unknown, Champignon de la France in Pierre Bulliard's Herbier de la France, Volume 4, 1784, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill
Johann Heinrich Lips after Henri Fuseli, Satan in Johann Caspar Lavater's Essai sur la physiognomonie: destiné a faire connoître l'homme et à la faire aimer, 1783, engraving, Lent by the Rare Book Collection, The University of North Carolina at Chapel Hill