The Triumphal Arch,  1750
Arch of Constantine, 1748
The Composite Order in Treatise on Civil Architecture, 1759
Frontispiece in Essai sur l'architecture, 1755
Architectural Canons and the Picturesque:
Imaging Antiquity in the Eighteenth Century

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The Arch of Constantine, 1748

The Arch of Constantine, 1748

The Triumphal Arch from the Grotteschi, 1750

The Composite Order in
Treatise on Civil Architecture, London, 1759

Frontispiece in Essai sur l’architecture, 1755

GIOVANNI BATTISTA PIRANESI, Italian, 1720-1778
The Arch of Constantine
etching, 1748
Gift of Hugh D. Griffith
of Dr. Philip M. Griffith Estate, 99.6.30

This etching is part of a series of ancient Roman arches considered among Piranesi’s early graphic masterpieces. The once majestic triumphal arch that proclaimed Roman domination is now a crumbling relic of broken columns and lost empire being slowly reclaimed by nature’s overgrowth.

Piranesi created dozens of such picturesque views of Rome. They are highly individualized portraits of classical monuments in various stages of ruin. He used oblique angles of view and theatrical lighting to enhance their drama and emotional impact.

Unlike the reasoned order of popular architectural treatises and pattern books, Piranesi’s pictoral style is highly evocative and thus inspired imaginative interpretations of ancient Roman civilization.

Art McLendon

 

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