
  
One of the special
pleasures of association with a university art museum is the opportunity to collaborate
with alumni whose affections for their alma mater include a bond with the campus museum.
Alumni collectors inspire students and the university community by sharing their art,
expertise and resources. Such individuals are especially precious to the Ackland Art
Museum, which, at the comparatively young age of forty years, is blessed with a small yet
expanding family of alumni nurturing the arts at the University of North Carolina at
Chapel Hill.
Sheldon Peck and his late brother
Harvey, both UNC-CH alumni, founded a collection of old master drawings that continues to
grow with the participation of Sheldon's wife Leena. We are grateful to the Pecks for
sharing some of their treasures in the exhibition Fresh Woods and Pastures New:
Seventeenth-Century Dutch Landscape Drawings from the Peck Collection. A testament to
Sheldon and Leena's collaboration as connoisseurs, the exhibition is the harmonious
performance of twenty-six artists seen in forty works, twenty-five of which have no prior
history of exhibition.
Opening October 3, these drawings
offer a panorama of Holland's golden age depicted by master draughtsmen including Jan van
Goyen (1596-1656), Jan Lievens (1607-1674) and Rembrandt (1606-1669). The exhibition gives
us the opportunity to enjoy the medium of drawing itself, as we sit at the elbow of the
artists and witness the play of lines against washes, chalks and various inks. Rembrandt's
image captures a quotidian slice of Dutch backyard life -- two boats on a modest canal
that is not more than a ditch filled with water, a line of trees and village barely
visible in the background. Yet each foreground detail is recorded with a fresh,
spontaneous touch set off against the moist, atmospheric field and woods beyond.
A beautiful catalogue, produced with
generous support from the Pecks and the William Hayes Ackland Trust, includes an overview
by Franklin W. Robinson, the exhibition's curator and director of the Herbert F. Johnson
Museum of Art at Cornell University, while Sheldon Peck has contributed an essay on the
art of connoisseurship. Dutch expert Theo Laurentius offers insight into the arrival and
use of paper in the Netherlands, while scientist Dan Kushel explains new techniques for
x-raying watermarks. Two unique features of the book are the digitally produced color
reproductions and an atlas of computer-enhanced radiographic images of all of the
watermarks on the Peck drawings.
Fresh Woods and Pastures New travels
to the Herbert F. Johnson Museum of Art at Cornell University in January 2000, and then to
its final venue at the Worcester Art Museum in Worcester, Massachusetts in December, 2000.
Sheldon and Leena Peck will join us
for the inauguration of their exhibition on Sunday, October 3. A joint lecture by Sheldon
and Frank Robinson will begin at 2:00 p.m. in the Hanes Art Center Auditorium, followed by
a reception in the Museum. Please plan to join us for this celebration and the opportunity
to express our gratitude to the Pecks for this wonderful show. I look forward to seeing
you at the Ackland!
Gerald Bolas
Director
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